Tuesday, February 9, 2010
The Road to the Jack Kirby Entry.
This is the Simon and Kirby gallery.
KIRBY CLOSE UPS!
Heavy Metal!
Jack wrote a book to interpret the nightmares of teenage girls... Oh, yeah. Of course. WTF!?
Alan Moore and Kirby photo in an article on Marvel's purchase of the Miracle/MarvelMan
McCartney & Magneto a la Kirby
Final thoughts: Reading Ditko's Spider-Man in black and white makes sense. Kirby's Fantastic Four? I think I'd need that in color.
Jack Kirby (Jack Kurtzberg)
Jack Kirby has long garnered the nickname “King” Kirby among the comic book community in honor of all his achievements. The man created the iconic designs for Captain America, the X-Men, the Fantastic Four, Thor, Hulk, Darkseid, Galactus, the Guardian, the Silver Surfer and many more. He’s worked alongside Will Eisner and Stan Lee. He’s drawn for DC, Marvel (even before it was called Marvel) as well as many smaller companies and dabbled in self-publishing as well.
His style has fluctuated over the years from sketchy and athletic during The Golden age.
To the bold thick lines and “Kirby Crackle” he became famous for in the Silver Age.
Every book he touched seemed to have a style all its own. The artist that drew Captain America punching Hitler seems to be a completely different person from the guy who drew wacky space technology for the Fantastic Four.
And yet his work has such a signature look that you can spot a Kirby from a mile away.
He believed strongly in capturing a moment at the true point of interest, caring very little for perspective or anatomy.
And sometimes the most exciting thing was an extreme close up of a big gaping mouth.
Because he was not very good with foreshortening, his worlds never quite seem to leave the page. But what a page!
Winsor McCay (Zenas Winsor McKay)
Winsor McCay was an innovator of both screen and print from the turn of the 20th Century. He is best known for the strip “Little Nemo in Slumberland,” and the silver screen’s first cartoon character Gertie the Dinosaur.
He liked to play with the edges of the panel and the audiences’ perception of space and size.
His eye for understanding movement made him one of the greatest draftsmen of the 20th Century.
Here's two minutes of truly breathtaking persistence of vision.
With his pencil, ink and three-color world he was able to create almost photorealistic worlds of wonder with his signature strong black outlines around their forms. He created mood and atmosphere through color. With a kind of style and pace that made Watchmen famous in the 80s. (Not saying theft or homage, just saying they used a similar device)
Winsor McCay never said “no” to his imagination and the sequential art medium is much better for it.
He liked to play with the edges of the panel and the audiences’ perception of space and size.
His eye for understanding movement made him one of the greatest draftsmen of the 20th Century.
Here's two minutes of truly breathtaking persistence of vision.
With his pencil, ink and three-color world he was able to create almost photorealistic worlds of wonder with his signature strong black outlines around their forms. He created mood and atmosphere through color. With a kind of style and pace that made Watchmen famous in the 80s. (Not saying theft or homage, just saying they used a similar device)
Winsor McCay never said “no” to his imagination and the sequential art medium is much better for it.
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